铜佛像的发展史
铜佛像是用铜或者青铜铸造、表面鎏金的佛像,汉传和藏传是其两大支柱,目前在市场上常能见到的是明清时期的作品,以藏传佛像居多,河北博创制作各种艺术精美的铜佛像。汉传主要接受的是印度显教流行期的犍陀罗、马土腊等几种造像风格和手法,造型相对简单,形象敦厚温和,大多是一头二臂,以寂静像居多;藏传主要接受的是印度密教期的东印度、尼泊尔、斯瓦特、克什米尔等几个艺术流派的影响,造型以愤怒像居多,多为多面多臂或异类身,有坐、立、舞等各种姿态。
Copper Buddha is made of copper or bronze casting, the surface figure of Buddha of fine gold, mahayana and Tibetan are the two pillars, currently on the market can often see is the Ming and qing dynasties, in the majority with Tibetan Buddha, hebei bo gen produced various art elegant figure of Buddha. Northern India is acceptable for the main teaching during epidemics of gandhara, ma la several sculpture style and technique, such as soil model is relatively simple, image is gentle, and is mostly a second arm, in the majority with silence like; Tibetan tantra in India is acceptable for the main issue of the east India, Nepal, swat, Kashmir, such as the impact of several schools of art, in the majority with anger as modelling, dobby multiple multiple surfaces or heterogeneous body, have a sit, stand, dance and so on all sorts of attitude.
明清铜佛像是佛教造像艺术之一。明代由于寺院的广建和民间供奉的需要,以及朝廷布施给宗教领袖的需要,使得金铜造像迅速发展,并形成了永乐、宣德年间最高造像水平的“永宣金铜造像”。此时的造像面相丰满、造型优美、金色充足、艺术水平极高。清代造像继承明代风气,精工细作,是藏传金铜造像的高峰期。现在这些造像不仅仍是佛教徒膜拜崇奉的对象,更是珍贵的民族艺术遗产,受到中外收藏界的宝爱。
The Buddha statue is one of the buddhist statues. For wide temple built in Ming dynasty and the needs of the folk sacrifice, and the need of government to a religious leader Dana, making gold copper statue is developing rapidly, and formed the yongle and xuande emperor he highest level of "permanent XuanJin bronze statues. At this time, the appearance of the statue is plump, beautiful, golden and artistic. The qing dynasty inherited the culture of the Ming dynasty, and the fine work was the peak of the bronze statue. Nowadays, these statues are not only the objects of the buddhist worship, but also the precious national artistic heritage, which is loved by the Chinese and foreign collectors.